Motion and stills
Ben Jumper
Video-first production
Maine commercial video, aerial cinematography, and photography for brands, publications, and live events. Motion and stills in the same pass, delivered in every format the campaign runs in.
- Specialties
- Video, aerials, and photography
- For
- Brands, publications, and live events
- Based
- Maine, USA
Work
16 pieces
Selected work
Recent commercial, brand, editorial, and event work.
More motion
Published films from the Ben Jumper channels, loaded only when you want to keep watching.11 of 16 shown
Motion and stills, one shoot
Motion study / 02
Live energy. Controlled detail.
A short commercial cut that moves from live color into studio product work.Capabilities
Video and photography
What I take on
A focused set of services, each with a clear set of files at the end of it. Anything outside this list is worth asking about.
Brand and commercial film
Films that carry a product or a company in a single viewing, from the first concept conversation through the final grade.
Hero film
Cutdowns
VerticalAerial cinematography
Aerial capture by an FAA Part 107-certified drone pilot, planned as part of the same commercial or editorial shoot.
Aerial b-roll
Establishing shots
Vertical cutdownsEvent and live coverage
Conferences, panels, launches, and performances, covered so the moments worth keeping are usable afterwards.
Recap film
Speaker cuts
StillsEditorial and still photography
Food, product, and reportage photography for features, press kits, and campaign pages, made to sit beside the motion without fighting it.
Editorial
Product
Press kitProduct and still life
Considered product frames for a storefront, a retail listing, or a paid social set that needs to stay on brand.
Packshots
In use
Social cropsEdit, color, and delivery
Post handled end to end, including edits built from footage that has already been shot.
Edit
Color
Captions
Masters
Approach
Maine, USA
How I work
Commercial, brand, editorial, and event work.
Every job starts with what the footage has to do. A launch film, a press image, and a recap reel all want different coverage, so the shot list gets built backward from the edit and from the formats it has to fill.
Motion and stills come out of the same pass. Lighting a scene once for both is faster on the day, cheaper for the client, and it keeps the film and the photographs looking like they belong to each other.
Small crew by default. Fewer people in the room means talent stays relaxed, locations stay workable, and the schedule holds.
Motion study / 03
Aerials with a reason to be there.
FAA Part 107-certified drone cinematography for establishing shots, movement, and scale, captured as part of the same commercial shoot.Contact
Available for new projects
Start a project
Send the outline of the job and I will come back with an approach and a quote.
[email protected] →Put this in the first message
- What it is for
- Dates and location
- Formats you need
- Rough budget